WPH Director/Member Submission Form Fill out both sides of form. Date____________
Submitting Member/Director_____________________________ Phone_________ Email__________
Title of Play______________________________________________Publisher___________________
Author(s), Lyricist, Composer ____________________________________________ Pub. Year_____
Musical___ Comedy___ Drama___ Comedy/Drama___ Mystery___ Revue___ Other______________
Setting__________________________________________________ Time Period________________
Cast and Crew Requirements (number/ages):
Men________/______________________________________________________________________
Women______/_____________________________________________________________________
Boys_____/________________________________ Girls_____/_______________________________
Other: Musicians_________________ Dancers__________________ Choreographer_____________
Brief synopsis: _____________________________________________________________________
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Please answer the following questions as objectively as possible.
1. What are the strengths of the show (consider action, characterization, suspense/dramatic impact, plot development, entertainment value, educational value, audience appeal, etc.)? __________________________________________________________________________________ __________________________________________________________________________________
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2. What are the weaknesses of the show? _______________________________________________
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3. Please rate the play for appropriate audience (check below): ____AA—Appropriate for all audience members ____GS—Guidance suggested for children and the most socially conservative audience members (most of our plays fall in this category); explain______________________ ____MA—Mature Audiences Only; explain_______________________________________ Please underline any of the following as applicable: mild or strong profanity; nudity or scanty dress; explicit sexual subjects or veiled sexual innuendo; explicit violence, murder or suicide; smoking and/or social drinking; alcohol or drug abuse; reference to drug use. Other____________________________ 4. Is it within the capabilities of our local pool of actors, singers, and dancers? Is the music singable and danceable? Are regional dialects, foreign language or accents required? __________________________________________________________________________________ __________________________________________________________________________________ 5. Are there any special needs for lighting, sound, props, or costumes? Are there any technical complexities that would make staging and production unusually difficult? Any essential but hard-to-find props, etc.? _____________________________________________________________ __________________________________________________________________________________ __________________________________________________________________________________ 6. Can this set be built on our stage? How many scene changes? Any potential set challenges? ________________________________________________________________________________ ________________________________________________________________________________ ________________________________________________________________________________ 7. Our audience is a widely varied and diverse group of people. We want to appeal to as many as possible. With that in mind, do you think our audiences will appreciate the message of this play? This show will appeal most to what segment of our community?______________________ ______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ 8. In your opinion, why is this show an appropriate choice for Whidbey Playhouse Play Day? __________________________________________________________________________________ __________________________________________________________________________________ ____________________________________________________________________________________________________________________________________________________________________ Use added pages as needed. Is there anything else you would like the committee to consider in making our decision? ___________________________________________________________
DIRECTOR TIMESLOT PREFERENCE, STAFF & BACKGROUND
Director’s Name:________________________________ Email:_________________
Address:_______________________________________________________________
_______________________________________________________________________
Day Phone:_____________Evening Phone:_____________Cell Phone:____________
Please indicate which timeslots you prefer and which you absolutely do NOT want.
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Date of Show
(approximate)
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Production Period
(approximate)
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Would you be willing to direct during this timeslot? (circle one)
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September 2011
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Yes No
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November 2011
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August-September
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Yes No
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December 2011
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September-November
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Yes No
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February 2012
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December-January
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Yes No
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April 2012
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February-March
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Yes No
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June 2012
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April-May
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Yes No
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OTHER?
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Production Staff
WPH is a volunteer organization. The Board liaison can assist the director and/or producer in gathering production staff as needed. If you have already recruited key staff members, please list below, indicating which have tentatively committed to the production.
Staff Position |
Name of Staff Member |
Tentative Commit? (yes/no) |
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Assistant Director
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Stage Manager
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Musical Director
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Choreographer
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Costumes
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Lights
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Props
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Set Builder
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Sound
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Other:
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**Please complete reverse side if applicable.
If you have not directed at WPH before, please complete this section:
Theatre Experience other than WPH, ACT or WICA: Please list productions that you have directed. Indicate production dates, theatre names and locations. (Example: “Grease”, 1998-99 Season, Bend Community Theatre, Bend Oregon)
Theatre Experience working on local productions (WPH, ACT, or WICA). Please list job title or role played, play title, production dates, and director. Include information about shows that you are working on during the current season.
(Example: Stage Manager, “Big”, ACT, 1994-95 Season, Director – Jane Doe)
Since you have not directed a WPH production before, do you have an experienced WPH stage manager or assistant director lined up for your show? If so, who?
Please list any other significant theatrical experience and training.
***Remember to Include:
· WPH Director/Member Play Submission Form
· Copy of Script
· Copy of Libretto (if submission is a musical)
· CD of Music (if submission is a musical)
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